wag mong tingnan! PHOTOGRAPHY: Lou Bernstein

1969 - Self Portrait, Mirror Image

Lou Bernstein was known as “The photographer’s photographer”, among the prominent great photographers of his generation. During the 1950’s through the 1980’s, Bernstein’s personal views, articulations on the aesthetics of photography, established him as a much sought after lecturer, critic, and teacher. He conducted numerous private individual and public group photographic workshops, as well as becoming a college educator. Bernstein taught at The Phoenix School of Design, NY, and at the request of W. Eugene Smith, took over Smith’s classes at Cooper Union, when Smith went to Japan for Life Magazine.

Bernstein received his first camera in 1936. Photography was Lou’s hobby early on. But his passion for photography only intensified. He sought out the shakers and movers of photography in New York. Within a few years, Lou and his photography was featured frequently in newspapers, magazines, books, television, galleries and museum exhibitions, in New York City. We all heard the metaphor “don’t quit your day job”. Lou never did, he did not want to be a professional photo journalist, although he could have. Lou wanted to photograph what he felt was honest, sensitive and important photographs. He also wanted to be where the activity of the photographic world was, that was in New York, and Peerless Camera Stores, NY, the largest professional photographers supply store in the world. This job enabled him to be at a center of photography, where his friends and fellow contemporaries met, without notice, legendary photographers like, Sid Grossman, W. Eugene Smith, Wynn Bullock, Lisette Model, Cornell Capa, Edward Steichen, and Jack Deschin, Sunday Photography Editor, for the New York Times, to name a few. It allowed him weekends and nights off, to teach, lecturer, photograph, develop, print and exhibit his photography, and time to be totally committed to his love of photography.

"He was never too interested in promoting his own work, all he wanted to do, was photograph, teach, lecturer and help guide his students and all people who loved photography as an art, that came to him for assistance, to understand his aesthetics and philosophy. He always gave back to the photographic community, He was there for the more than 600 amateur and professionals during his lifetime, who called upon him for direction and explanation of his views on photography as art." Irwin Bernstein

1992- Cornell Capa & Lou Bernstein, ICP,NY, Opening Reception for Lou's second
ICP, One Man Exhibition, "Five Decades of Photography"

Lou was a charter member of the controversial “Photo League”, and was active in the organization from 1936-1951, until its demise. Lou was an advocate of its principals on photography, and continued to be a close friend to Sid Grossman, and many of itslegendary members.

His many achievements during his career was due to his high profile celebrity and reputation recognized in the early years of career by the, New York Times, Photography Critic, Jack Deschin, who published him frequently. What followed was, Edward Steichen's selection of Lou's work for both, The Family of Man, in 1955, followed by Steichen's acquisition of 10 photographs for the permanent collection of MoMA.

Lou was the originator and author of a highly successful bi-monthly article, titled “Critique”, for Camera 35 Magazine, that was published from 1968-1972.

In April 1972, Lou was a participating critic along with many other recognized dignitaries & educators of photography, representing The Society for Photographic Education, New York Region, and asked to contribute to Critique 72, at The New School for Social Research, in New York.

Bernstein’s photography has been exhibited, and acclaimed at more than sixty museumsworldwide. In his six and a half decade career, he had achieved 187 lifetime events exhibiting his work.
Text and images submitted by The Estate of Lou Bernstein Lou Bernstein Legacy